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Top 5 Challenges Facing Use of AI in Universities in 2025

The Polar Saga Series&nbsp;Let's have another peek at Catarina Lilliehöök's first book and the relevance of oracle bones in her forthcoming #PolarSaga Series scheduled for release very soon... Oracle bones play a significant role in the book’s narrative, acting as a source of guidance, a justification for actions, and a link to destiny within the story's world. They are a method of divination and are treated with respect by those who use them. Let’s look at it in a little more detail as the plot is glorious... Guidance and Decision-Making: Master Li uses oracle bones to make important decisions and claims that the oracle bones told him to go to the slave market, where he found Mi La. The oracle bones are presented as a source of truth, and their pronouncements carry weight with those who believe in them. For example, when Cook Ma questions if Master Li went wrong in the slave market, he justifies his actions by saying, "The oracle bones told me clearly". The bones are consulted to determine the correct course of action and to understand the signs that are revealed to them. Justification for Actions: The oracle bones are used to justify the decisions and actions taken by characters, especially by Master Li. When Mi La asks why she is at Long Si, she is told that the oracle bones said as much. They are used to explain the circumstances surrounding Mi La's arrival at Long Si, particularly that the bones indicated that she should be there and that this is part of her destiny. Master Li tells Mi La that it is not simple to follow the oracle bones, suggesting that their guidance is not always clear or easy to interpret. He also admits that he had to fight hard for Mi La to come to Long Si, suggesting there was some resistance to her arrival. He justifies rescuing Mi La from the Nefarious by stating that the oracle bones guided him to her and also says that he needed to see if she could call Hidden Eyes, suggesting that the bones predicted that she would be able to do so. Connection to Destiny and Prophecy: The oracle bones are linked to the prophecies surrounding the Three Masters of Long Si, and their return. The prophecy of their reincarnation was inscribed on a stone tablet, and interpreted by geomancers. They are also used to identify the reincarnated brothers. The bones are said to have indicated that Mi La possessed a special skill, though it was not clear which one. The oracle bones predicted that Mi La would be the twin spirit to Hidden Eyes, which is why she was taken from the slave market. Limitations and Ambiguity: Although the oracle bones are important, the narrative also acknowledges that their interpretations are not always straightforward and the characters must still make choices and use their own judgement in the process. Master Li's reliance on the bones is also questioned as he admits that his personal interests may have clouded his judgement and that the bones are not always easy to follow.

The Polar Saga Series

A Deep Dive into Catarina Lilliehöök's forthcoming book, 'The Spirit Dragon's Keeper'. The protagonist, Mi La, experiences several overarching themes that connect her past and present, including her identity, destiny, family, and the impact of her unique abilities. Identity: Mi La struggles with her sense of self, torn between her Sámi heritage and her life at Long Si. She was once a reindeer herder, "Lu Mi La", a name that is a transcription of sounds and has a deep connection to her homeland. However, she is also called "Little Secret" a name given to her by Master Li. Her past is rooted in nature, with stories of her grandmother and the land and her present is defined by her training in martial arts and Chinese traditions. She grapples with how her past fits into her present, and questions whether she is still a "reindeer herder". She is a "mule herder" to Yong Da and sometimes feels like a detested orphan. Destiny: Mi La's destiny is a recurring theme. Master Li tells her that her destiny is at Long Si, and it is to study and learn. She is told that her destiny is linked to the Spirit Dragon. Her destiny, she learns, involves the need to balance her yin (feminine) energy with Hidden Eye's yang (masculine) energy. She was taken by the Nefarious because she had paranormal skills to be used by them, which also explains why Master Li rescued her. Mi La's destiny as "Spirit Dragon’s Keeper" is not a straight road and is tied to the need to overcome her hardest opponent, which is herself. She initially has many questions about her destiny and later finds out that it is to help Hidden Eyes. Family: Her family in Sápmi is a strong presence in her mind. She remembers her grandmother's stories and the bond she had with her reindeer. Her parents are a source of pain for her, as she is reminded by Yong Da that they left her. She also forms a deep bond with one of the temple cats, her sister who she refers to as Habllek, a name that stems from the Sami language. Her mother's warnings echo in her mind, "Be careful, Mila. Be careful not to show". At Long Si, Cook Ma becomes a kind of mother figure for her and she feels a sense of responsibility to protect Wei Wan like a younger brother and in this, she recalls her brother, Olli. She feels both "a tug and pull" to Master Li, whom she is also sometimes in conflict with, and feels betrayed by. Unique Abilities: Mi La possesses unique abilities that connect her past and present. In her past, her mother was scared of her "glimmering hands", and her grandmother was cautious of her ability to see hearts. Mi La’s ability to see people's "heart orbs", and how emotion affects these orbs is something she recalls from the past and continues to experience in her present at Long Si. She also can borrow the strength and skills of others. It is through her power that she can call Hidden Eyes and become aware of her identity as Seikhar, a "Child of the Northern Lights". Mi La also learns that her ability was the reason she was targeted by the Nefarious. These themes illustrate the complexity of Mi La's journey, as she grapples with her origins, discovers her purpose, and develops her powers, which ultimately shape her path toward her destiny as the Spirit Dragon's Keeper. -Harry Hickey, February 2025.

A Deep Dive into Catarina Lilliehöök's forthcoming book, 'The Spirit Dragon's Keeper'.

Book Review: 'Kill the Company' by Lisa Bodell (Published: 2012).&nbsp; Overview In 'Kill the Company', Lisa Bodell presents a compelling argument for why organisations must actively embrace change by eliminating outdated processes, bureaucracy, and complacency. She advocates for a culture of innovation, where businesses continuously challenge the status quo rather than merely maintaining it. Through practical exercises, real-world examples, and actionable frameworks, Bodell provides tools that help companies cultivate a more agile, creative, and forward-thinking workforce. Key Themes Eliminating Bureaucratic Waste – Bodell argues that organisations often stifle creativity by clinging to redundant processes and rigid hierarchies. She proposes a "kill the company" exercise, where employees actively brainstorm ways to dismantle their own organisation—forcing them to think about threats, inefficiencies, and areas for transformation. Encouraging Simplification – Overcomplication is one of the biggest barriers to innovation. Bodell stresses the importance of streamlining workflows, cutting unnecessary meetings, and creating a corporate environment that prioritises efficiency over formality. Empowering Employees – Innovation should not be confined to leadership; employees at every level should feel encouraged to contribute ideas and challenge outdated practices. The book provides strategies for fostering an open culture where critical thinking and problem-solving are valued. Making Change a Habit – Rather than treating innovation as a one-time initiative, Bodell argues that organisations must embed adaptability into their DNA. She provides tools and exercises to help leaders sustain a mindset of continuous improvement. Relevance in 2025 So, a main concern is, does the book still have relevancy over a decade later? Well, despite being published in 2012, I'd argue that 'Kill the Company' remains highly relevant in 2025, particularly in an era marked by (even more) rapid technological advancements, AI integration, and economic uncertainty. Businesses that fail to eliminate inefficiencies and encourage innovation risk falling behind more agile competitors. And, there are many in every industry! I need only reference the continuing rise of AI and automation – As AI continues to fundamentally reshape all manner of industries, Bodell’s call for adaptability is, perhaps, more critical than ever. Companies must continuously re-evaluate roles, processes, and skills to remain competitive. Remote and Hybrid Work Challenges – With many companies still adjusting (and lots of them badly!) to hybrid work models, Bodell’s principles of simplification and efficiency apply directly to modern workplace dynamics. Reducing unnecessary bureaucracy is vital for maintaining productivity across dispersed teams. Oh, how I detest the culture of useless lengthy meeting after meeting. Corporate Culture and Employee Engagement – In an age where employee experience is a key factor in retention, organisations that foster a culture of innovation and empowerment are more likely to attract and retain top talent. And, that's despite the culture of movement Millennials and Gen Z hold dear. Disruption in Every Industry – Whether it's the impact of climate change, shifting consumer behaviours, or geopolitical uncertainties, businesses today face constant disruption. Bodell’s emphasis on proactive change rather than reactive survival is essential. Limitations While Kill the Company is filled with valuable insights, some critiques include: Lack of Deep Case Studies – The book offers compelling anecdotes but I feel lacks in-depth analysis of how large-scale organisations have successfully implemented its principles. Focus on Mindset Over Execution – While the exercises are useful, some readers may find that the book leans more toward shifting corporate mindsets rather than providing detailed roadmaps for execution.<figure id="figure-c0oitosjgm6sehuem"><img id="c0oitosjgm6sehuem" src="https://cdn.durable.co/blocks/27bSCaz5MR8TigalE6LB5QEwABpbwOsXMYRFH9oOjXP3zbHe60B3ONMBbaZjEGz4.jpg" alt="" title="" class="object-cover bg-gray-100 " style="aspect-ratio: 16/9; object-position: center center;" data-corners="default" data-aspect="16:9" data-caption="" data-positionX="undefined" data-positionY="undefined" data-fullWidth="false"/></figure> Rating: ★★★☆ (3/5) -Niall MacGiolla Bhuí, PhD.

Book Review: 'Kill the Company' by Lisa Bodell

Beautiful young Asian woman with headphones relaxing at home and using smartphone, checking social media on mobile phone, receives notification, likes, views and comments. Youth lifestyle, social media and digital online. People network and technology

<h3>&nbsp; Introduction</h3> We live in a world where consumerism has become the dominant force shaping our lives, dictating not just what we buy but who we are. Society rewards accumulation, material success, and status symbols while undervaluing creativity, exploration, and meaning. But this cultural obsession with consumption has profound implications for mental health, exacerbating anxiety and depression while suppressing the very creative impulses that could lead to fulfillment. We see this across the demographics especially so with the younger generations and I've written about this several times in the 'Mental Health For Millennials' book series (2017-2023).&nbsp;<figure id="figure-vuel6nwvaam6o67as1"><img id="vuel6nwvaam6o67as1" src="https://cdn.durable.co/getty/20lWoWdD8Y1yYe945j4M1Sb5svr5i2cPboRAyu99MR7fbVWpaMcWQzZIHe8OUvR7.jpeg" alt="Virtual reality concept." title="Virtual reality concept." class="object-cover bg-gray-100 " style="aspect-ratio: 16/9; object-position: center center;" data-corners="default" data-aspect="16:9" data-caption="" data-positionx="undefined" data-positiony="undefined" data-fullwidth="false" data-mce-src="https://cdn.durable.co/getty/20lWoWdD8Y1yYe945j4M1Sb5svr5i2cPboRAyu99MR7fbVWpaMcWQzZIHe8OUvR7.jpeg" data-mce-style="aspect-ratio: 16/9; object-position: center center;"></figure>Artists, writers, and musicians have long warned us of this trap, urging us to reconsider our priorities. From Aldous Huxley’s Brave New World (1932), which portrays a dystopian society anesthetised by pleasure and consumption, to Banksy’s more recent satirical artwork critiquing capitalism, creative minds have continuously resisted the lure of consumer culture. In contrast, the research and lived experience are clear; when society values creativity over materialism, people experience deeper self-actualisation and emotional well-being.<h3>Consumerism and Mental Health: The Invisible Trap</h3> Numerous psychological studies have linked materialism with increased anxiety and depression. Kasser and Ryan (1996) found that individuals who prioritise extrinsic goals, such as wealth and status, report lower psychological well-being and higher distress. The constant cycle of wanting, acquiring, and feeling dissatisfied creates a void that cannot be filled with more purchases.Social media exacerbates this phenomenon. Platforms like Instagram and TikTok have turned self-worth into a commodity, where one’s value is measured in likes, shares, and brand collaborations. People curate their lives not based on creative fulfillment but on what sells. This fosters a culture of comparison, leading to feelings of inadequacy, as described by psychologist Jean Twenge (2017), who links social media-driven materialism to rising rates of teenage depression.<figure id="figure-r3mehhdqfm6o691st"><img id="r3mehhdqfm6o691st" src="https://cdn.durable.co/getty/2ShMFqPAu8AxEaeK7DuZay1lQFtBdXUBVy5X0MmcGYrJ2Dt8EsdxFOLgLm3Otnw1.jpeg" alt="Beautiful young Asian woman with headphones relaxing at home and using smartphone, checking social media on mobile phone, receives notification, likes, views and comments. Youth lifestyle, social media and digital online. People network and technology" title="Beautiful young Asian woman with headphones relaxing at home and using smartphone, checking social media on mobile phone, receives notification, likes, views and comments. Youth lifestyle, social media and digital online. People network and technology" class="object-cover bg-gray-100 " style="aspect-ratio: 16/9; object-position: center center;" data-corners="default" data-aspect="16:9" data-caption="" data-positionx="undefined" data-positiony="undefined" data-fullwidth="false" data-mce-src="https://cdn.durable.co/getty/2ShMFqPAu8AxEaeK7DuZay1lQFtBdXUBVy5X0MmcGYrJ2Dt8EsdxFOLgLm3Otnw1.jpeg" data-mce-style="aspect-ratio: 16/9; object-position: center center;"></figure><h3>Example: The Hollow Pursuit of Status in Music</h3> Take the music industry as an example. The commercialisation of music has led to an overproduction of formulaic, algorithm-friendly songs designed to generate streams rather than provoke thought or emotion. Compare this to artists like Bob Dylan or Nina Simone, who used their music as a form of social and personal expression rather than a means to chase chart success. The modern industry’s prioritisation of virality over artistry contributes to feelings of creative stagnation among musicians and a passive, less engaged audience.<h3>Creativity as an Antidote to Anxiety</h3> Unlike consumerism, which thrives on dissatisfaction, creativity fosters mindfulness and a sense of purpose. Mihaly Csikszentmihalyi (1990) describes creativity as a gateway to “flow,” a mental state in which people lose themselves in meaningful work. This state has been linked to reduced anxiety and greater life satisfaction.Literature has often served as a counterforce to consumerism’s emptiness. Writers like George Orwell and Virginia Woolf used their work to challenge societal norms rather than conform to market trends. Woolf’s 'A Room of One’s Own' (1929) is a testament to the importance of personal space and creative freedom—concepts that are at odds with a consumerist culture that demands constant engagement and consumption. When people engage with literature that challenges their perceptions rather than reinforces market-driven ideologies, they cultivate depth, empathy, and resilience.<figure id="figure-gicno8sjb9m6o6a75s"><img id="gicno8sjb9m6o6a75s" src="https://cdn.durable.co/getty/16FIb559qt96lwlzIR6TjtYUhnMNg3XzZzBmdtRh3pcehZ8YKUEcF3tEn8BH3g7I.jpeg" alt="Book and glowing letters" title="Book and glowing letters" class="object-cover bg-gray-100 " style="aspect-ratio: 16/9; object-position: center center;" data-corners="default" data-aspect="16:9" data-caption="" data-positionX="undefined" data-positionY="undefined" data-fullWidth="false"/></figure>Choosing Creativity Over Consumption Shifting from a consumerist mindset to a creative one is not just an act of personal liberation but a form of resistance against a system that profits from dissatisfaction. Here’s how we can make that shift:Prioritise Making Over Buying – Whether it’s writing, painting, or playing an instrument, engaging in creative pursuits fosters self-expression and mental clarity. Disconnect from Market-Driven Validation – Likes and follows are poor substitutes for genuine creative fulfillment. Focus on authenticity rather than virality. Reclaim Time for Reflection – Consumer culture thrives on distraction. Make space for contemplation, whether through reading, journaling, or spending time in nature. Support Independent Artists – Instead of mass-produced entertainment, invest time in discovering independent writers, musicians, authors and artists who challenge mainstream narratives. Rewriting the Narrative The culture of consumerism wants us to believe that happiness is one purchase away. But the truth is, no amount of material accumulation can replace the deep sense of satisfaction that comes from creating, exploring, and expressing. Art, music, and literature remind us that meaning is not something we buy—it’s something we make. By choosing creativity over consumption, we do more than just break free from anxiety and depression. We reclaim our humanity.<h3>References</h3> Csikszentmihalyi, M. (1990). Flow: The Psychology of Optimal Experience. Harper &amp; Row. Huxley, A. (1932). Brave New World. Chatto &amp; Windus. Kasser, T., &amp; Ryan, R. M. (1996). “Further Examining the American Dream: Differential Correlates of Intrinsic and Extrinsic Goals.” Personality and Social Psychology Bulletin, 22(3), 280-287. Twenge, J. (2017). iGen: Why Today's Super-Connected Kids Are Growing Up Less Rebellious, More Tolerant, Less Happy—and Completely Unprepared for Adulthood. Atria Books. Woolf, V. (1929). A Room of One’s Own. Hogarth Press.

Beyond the Buy: Consumerism and Creativity

The Story Behind The Polar Saga: A Journey of InspirationI’ve been absolutely delighted to receive so many lovely messages from you, all brimming with curiosity and enthusiasm about my new book, ‘The Polar Saga’. Many of you have asked, “How exactly did this story come about?” Today, I’m thrilled to take you behind the scenes and share a little bit about the incredible journey that led to the creation of this enchanting tale.<figure id="figure-avb6j07oxjm6faua9f"><img id="avb6j07oxjm6faua9f" src="https://cdn.durable.co/blocks/1d8DTezGSmloq7oA31bbuJePnNLKvBbhnEwumJgVRCMfB2KXYLcbyShZU2ST85Ei.jpg" alt="" title="" class="object-cover bg-gray-100 " style="aspect-ratio: 16/9; object-position: center center;" data-corners="default" data-aspect="16:9" data-caption="" data-positionX="null" data-positionY="null" data-fullWidth="false"/></figure> Where the Ancient World Meets the Modern: Hong KongThe roots of ‘The Polar Saga’ trace back to my time in Hong Kong, a vibrant corner of the world that has captured my heart for years. This bustling metropolis is a fascinating blend of ancient traditions and modern life, where every street corner tells its own unique story. It was here, amidst the enchanting depths of lush bamboo forests and the soothing aroma of incense wafting through the air, that the inspiration for my narrative truly sparked. The atmosphere was alive with energy, and it beckoned me to explore the rich tapestry of culture and history that surrounded me.As I wandered through the streets, visiting serene Buddha statues and ancient temples, I found myself immersed in a world of wonder. The tranquillity of these sacred spaces offered a stark contrast to the city's hustle and bustle, allowing my mind to wander freely. Each moment was filled with whispers of the past, and the gentle rustle of leaves in the breeze stirred my imagination, painting vivid scenes in my mind that begged to be explored further. It was as if the very essence of the place was weaving together a tapestry of adventure and mystery, inviting me to dive deeper into these stories waiting to be told.<figure id="figure-e8aghq2hxem6fatgbp"><img id="e8aghq2hxem6fatgbp" src="https://cdn.durable.co/blocks/2aAP5HhFbLpCauryQKOBj57rXFdsbnz5rhrTHy3vYxubmxddDLqr8b1cOXGYtOWo.jpg" alt="" title="" class="object-cover bg-gray-100 " style="aspect-ratio: 16/9; object-position: center center;" data-corners="default" data-aspect="16:9" data-caption="" data-positionx="undefined" data-positiony="undefined" data-fullwidth="false" data-mce-src="https://cdn.durable.co/blocks/2aAP5HhFbLpCauryQKOBj57rXFdsbnz5rhrTHy3vYxubmxddDLqr8b1cOXGYtOWo.jpg" data-mce-style="aspect-ratio: 16/9; object-position: center center;"></figure> Back to the NordicsBut my journey didn’t stop there. As a native Swede, I felt an irresistible pull to connect with my beloved Nordics, where the landscapes, folklore, and mythology have always held a special place in my heart. The stark beauty of the Nordic regions, with their majestic mountains and serene lakes, provided a rich backdrop that I was eager to incorporate into my storytelling. I sought to merge the mystical elements of both cultures into the narrative, creating a unique fusion that reflects the beauty and complexity of our shared human experience. This blend of influences allowed me to craft a tale that resonates with both the spirit of Hong Kong and the heart of Scandinavia. All Wrapped-UpThe result is ‘The Polar Saga’, a tale that transcends borders and cultures, inviting readers to embark on a captivating adventure that intertwines the enchanting spirit of Hong Kong with the rich heritage of the Nordics. I am excited to share this world with you, filled with diverse characters and intricate plots, and hope that it resonates as deeply with you as it does with me.As I unveil the magic that inspired this tale, I invite you to reflect on your own journeys. What hidden stories lie in the places you’ve visited? What moments have inspired you along the way? I believe that every experience has the potential to spark creativity.

The ShadowScript Group

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Top 5 Challenges Facing Use of AI in Universities in 2025

The Polar Saga Series

A Deep Dive into Catarina Lilliehöök's forthcoming book, ...

Book Review: 'Kill the Company' by Lisa Bodell

Beyond the Buy: Consumerism and Creativity

The Story Behind The Polar Saga